Objektifikasi Perempuan dalam Lirik Lagu “Dua Sedjoli” Dewa 19: Analisis Wacana Kritis Norman Fairclough
DOI:
https://doi.org/10.65310/59y9qn88Kata Kunci:
Critical Discourse Analysis, Female Objectification, Norman Fairclough, Power Relations, Song Lyrics.Abstrak
Popular songs function not only as entertainment but also as cultural media that reproduce ideology and social constructions, including gender relations. This study aims to reveal the objectification of women in the lyrics of Dua Sedjoli by Dewa 19 using Norman Fairclough's Critical Discourse Analysis. Employing a descriptive qualitative approach, the study examines textual, discursive practice, and social practice dimensions. The findings indicate that the lyrics construct women as objects through ownership metaphors, imperative expressions, and religious legitimization that position men as dominant subjects. Discursive practice demonstrates that production, distribution, and audience reception normalize romantic narratives that conceal power relations. At the level of social practice, female objectification is reproduced through patriarchal values embedded in popular music. This study concludes that Dua Sedjoli functions as a discursive practice that subtly perpetuates male hegemony through the aesthetics of romantic lyrics.
Unduhan
Referensi
Aprilia, F., & Neisya. (2022). Women's Stereotypes in "Pretty Girl" Song Lyrics: A Critical Discourse Analysis Study. English Franca: Academic Journal of English Language and Education, 6(2). https://doi.org/10.29240/ef.v6i2.4902
Astari, M. D., Azzahra, Z., Maria, G., & Dias, A. (2022). Objektifikasi Perempuan dalam Lagu-lagu Campursari Analisis Wacana MAK Halliday. Medkom: Jurnal Media dan Komunikasi, 2(2). https://doi.org/10.20473/medkom.v2i2.33113
Aquarius Musikindo. (2012, 6 Juli). Dewa - Dua Sedjoli | Official Music Video. YouTube. Diakses dari https://youtu.be/U8girfB5Syc?si=HkpBB9ONTn94zn5q
Cahyaningrum, M. (2023). Eksistensi Perempuan Melalui Analisis Wacana Kritis Lirik Lagu Girl on Fire Karya Alicia Keys. Media Bahasa, Sastra, dan Budaya Wahana, 29(1), 26-35. 10.33751/wahana.v29i1.8503
Dani, A. (2026, May 3). Dokumen MA perceraian Maia Estianty dan Ahmad Dhani beredar, tertulis fakta Mulan dinikahi siri tahun 2006. Disway. Diakses dari https://disway.id/read/944773/dokumen-ma-perceraian-maia-estianty-dan-ahmad-dhani-beredar-tertulis-fakta-mulan-dinikahi-siri-tahun-2006/15
Fairclough, N. (2023). Critical Discourse Analysis. In The Routledge Handbook Of Discourse Analysis (pp. 11-22). Routledge.
Frith, S. (1996). Performing Rites: on The Value of Popular Music. Harvard University Press.
Fatika, N. N., & Kuning, D. S. (2026). Unveiling Female Objectification in Sofia Isella’s Doll People: A Critical Discourse Analysis. Lire Journal (Journal of Linguistics and Literature), 10(2), 207-220. https://doi.org/10.33019/lire.v10i2.614
Gill, R. (2007). Gender and the Media. Polity Press.
Islami, S. N., & Abrian, R. (2023). Membaca Tren Kesepian Generasi Z dalam Lagu Penjaga Hati: Analisis Wacana Kritis Norman Fairclough. Jurnal Bastrindo, 4(2), 170-186. https://doi.org/10.29303/jb.v4i2.1368
Kumalasari, K., Tiyara, T., & Kusumawati, A. A. (2025). Narasi Ketidakadilan di Balik Lagu Falasteen Biladi Karya Humood Al-Khuder: Analisis Wacana Kritis. A Jamiy: Jurnal Bahasa dan Sastra Arab, 14(2), 397-408. https://dx.doi.org/10.31314/ajamiy.14.2.397-408.2025
Kurniadi, F. (2024). Analisis Wacana Kritis terhadap Konstruksi Identitas Perempuan dalam Lagu Satu Bulan dalam Perspektif Feminisme Poskolonial. KIBAR : Prosiding Konferensi Berbahasa Indonesia Universitas Indraprasta PGRI. https://proceeding.unindra.ac.id/index.php/kibar/article/view/8021/2927
Kusumaningsih, D., Saddhono, K., Tri Rahayu, N., Hanafi, H., Saputra, A. D., & Setyaningsih, P. D. J. (2024). Gender Inequality in Indonesian Dangdut Songs Containing Vulgar Content: A Critical Discourse Study. Research Journal in Advanced Humanities, 5(3). https://doi.org/10.58256/vvzzjz37
Maelasari, N., & Rohayati, I. (2022). Analisis Wacana Kritis Pada Pemberitaan Kompas. Com Tentang Permintaan Maaf Arteria Dahlan. METAMORFOSIS: Jurnal Bahasa, Sastra Indonesia dan Pengajarannya, 15(1), 35-44. https://doi.org/10.55222/metamorfosis.v15i1.815
Marasabessy, I. I., Bandjar, A., & Kissya, V. (2026). Representasi Kritik Sosial dalam Lirik Lagu “Peradaban” Band. Feast: Analisis Wacana Kritis Norman Fairclough. Journal of Media and Communication E-ISSN: 3063-9581, 2(3), 113-118. http://jurnal.globalscients.com/index.php/jmc/article/view/1149
Nurmadani, N., Darmawan, M. R., & Danny, F. (2025). Gender dalam Perspektif Aliran Feminisme: Analisis Wacana Tentang Hakikat dan Kedudukan Perempuan. Journal of Gender and Millennium Development Studies, 2(2), 142-152. https://doi.org/10.64420/jgmds.v2i2.380
Putri, R. A., & Sholikhati, N. I. (2026). Analisis Wacana Kritis Norman Fairclough pada Lirik Lagu Rumah Singgah Karya Fabio Asher. SeBaSa, 9(1), 209-225. https://doi.org/10.29408/sbs.v9i1.33596
Tantowi, M., Inayah, R., & Sabila, S. (2025). Representasi Gender dalam Lirik Lagu Orang Baru Lebe Gacor: Analisis Wacana Kritis Norman Fairclough. Jurnal Media Akademik (JMA), 3(12). https://doi.org/10.62281/hetncg48
Thahirah, N. H. A., & Sobur, A. (2024, February). Kritik Objektifikasi Perempuan pada Lirik Lagu Nxde karya (G)-IDLE. In Bandung Conference Series: Communication Management, 4(1), pp. 201-210). https://proceedings.unisba.ac.id/index.php/BCSCM/article/view/12097
Wahyudi, A. P. K., & Yuliyanto, A. (2025). Objektifikasi Perempuan pada Musik Bergenre R&B: Analisis Semiotika John Fiske. Jurnal Sapala, 12(3), 35-49. https://ejournal.unesa.ac.id/index.php/jurnal-sapala/article/view/74512
Ward, L.M., Daniels, E.A., Zurbriggen, E.L. et al. (2023). The Sources And Consequences Of Sexual Objectification. Nat Rev Psychol 2, 496–513. https://doi.org/10.1038/s44159-023-00192-x
Unduhan
Diterbitkan
Terbitan
Bagian
Lisensi
Hak Cipta (c) 2026 Arnetta Prameswari Sholihati, Adiska Putria Nova (Author)
Artikel ini berlisensiCreative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
